Artist Keke Yang Explores Water as a Symbol and Substance in New Project
Artist Keke Yang has embarked on a compelling project that delves into the duality of water—both as a metaphor and as a tangible reality. Originally from China and currently residing in New York City, Yang completed her Bachelor of Arts in Photomedia at the University of Washington, followed by a Master of Fine Arts in Photography at Parsons School of Design.
Her artistic practice is deeply influenced by her cultural background and the fluid dynamics of gender identity. Through a variety of mediums including photography, video, installation, and performance, Yang investigates the essence of existence. Her latest work, titled “Before Anyone Noticed,” employs water as both a thematic element and a physical material to examine concepts of transformation, instability, and the myriad ways of being.
“I am drawn to water’s shifting states and behaviors, its movement between containment and expansion,” Yang explains. “I also incorporate balloons and everyday objects that evoke feelings of tension, permeability, vulnerability, and ongoing change. Through photography, I aim to recontextualize these materials and create metaphorical scenarios in which bodies, objects, and environments interact in ways that defy fixed meanings. Water serves as a lens through which to view gender and identity as fluid concepts that are constantly being defined and redefined.”
Keke Yang introduced this innovative project via the Submissions section of our platform, further enriching the dialogue around contemporary art and identity.
Chief Editor of Quincy City Beat — Quincy, MA's independent investigative newspaper covering Greater Boston and the entire Commonwealth of Massachusetts with fearless public accountability and free access for all readers.
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